Tuesday, June 7, 2016

Looking Homeward



 
 
The image for this painting started as a graphite sketch in my moleskin sketchbook. I kept looking at my sketch and the image of the chestnut horse looking into the distance...[ looking into his future? ] and it kept saying paint this. The landscape was not so important in the scheme of the composition. The sky was as important an element, for me, as the subject himself. I used my palette knife mostly in the painting of the sky and the landscape. The pensive horse was painted with brush and more detailed, but with a bit of knife work in his mane.  
 
I enjoyed looking at this painting as it stood in my studio on my easel. I enjoyed painting it. And I was very happy when one of the galleries I am with, asked to have it in their gallery after seeing it on my website and my Facebook page. I was changing out work with Equis Art Gallery and agreed to send it down with new work that they wanted.  I explained that it was just dry enough to ship.....and would be send down unframed. They agreed to that. So off "Looking Homeward" went to New York. And then I was pleasantly surprised to heard from Equis Art Gallery that THAT painting had sold as soon as it arrived in the gallery.......a half hour after it had been unpacked. I thank Equis Art Gallery and owner Juliet Harrison. I know that pensive chestnut horse is in a good home where he will be taken care of and loved. That is what I want for all "my horses".


 
 The graphite sketch in my Moleskin sketchbook that prompted the
finished painting of "Looking Homeward".

No comments: